Spring 2020 Concerts

Our ninth season’s concert program, Journeys, is a meditation on the creation of meaning—individually and collectively—throughout the uncertainties of human existence. A varied and colorful program, musical highlights range from Benjamin Britten’s celebrated Hymn to St. Cecilia and lesser-known works by Reena Esmail, Salamone Rossi, and Fanny Mendelssohn to settings of familiar American tunes by Moses Hogan and Jocelyn Hagen, among others. This season’s repertoire crosses through a broad spectrum of emotion and experience, seeking understanding through both the unknown and the familiar, ultimately calling upon us to meet all of our “fellow travelers” with the same hospitality of spirit that lends choral singing its transformative potential.

COVID-19 Updates

As events surrounding COVID-19 (coronavirus) continue to unfold, Ensemble Companio has decided to cancel all upcoming concerts.
Read more here.

Past Seasons

2018-19: Failed Saints

Ensemble Companio’s 2019 concert program, Failed Saints, included the world premiere of two movements from Sarah Rimkus’s eponymous Failed Saints, Alberto Ginastera’s Lamentations of Jeremiah (his only composition for unaccompanied chorus), and Saunder Choi’s The New Colossus as well as works by Dunphy, Guillaume, Valverde, Runestad, Barnett, Paulus, and others.

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2017-18: The Greening

Ensemble Companio’s first concert under the baton of Artistic Director Erik Peregine, The Greening explored the parallels between human experience and the cycles of the natural world – through darkness into light, through winter into spring, through loss into renewal. A blurring of opposites – old and new, sacred and secular, universal and highly personal – ran throughout the program; listeners heard works by Josquin des Prez, Edie Hill, Tomás Luis de Victoria, Dale Trumbore, Abbie Betinis, and others. The course of the program meandered through awe, sadness, and mystery to hope and healing, meditating on the myriad ways we ourselves are reflected in nature throughout the journey.

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2016-17: Hope is My Philosophy

Featuring works by Brahms, Victoria, Rachmaninov, Ysaye Barnwell, Bobby McFerrin, and others, Hope is My Philosophy spanned a variety of genres including classical, spiritual, popular, folk, and world music.

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2015-16: Warnings, Wisdom, and Wit

Ensemble Companio’s final performance with founding director Joseph Gregorio was a concert of musical warnings, bits of wisdom, and morsels of wit from throughout the ages and around the world.  Featuring works by Dufay, Gibbons, Stanford, Bruckner, Vaughan Williams, Kala Pierson, Alice Parker, Lars-Erik Larsson, and others, as well as  arrangements of popular music by Bob Dylan and Francis Cabrel and folk music from around the globe, Warnings, Wisdom, & Wit is available for download and streaming.

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2014-15: Love’s Faces

Love’s Faces featured works by Arcadelt, Passereau, Stainer, Duruflé, Lars-Erik Larsson, and a commission by Vince Peterson; arrangements of popular music by The Beatles, Billy Joel, and Randy Newman; and folk music from around the globe.

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2013-14: Celebrations and Meditations

Celebrations and Meditations featured the motet “Singet dem Herrn ein neues Lied” by J.S. Bach as well as pieces by Poulenc, Byrd, and Thompson; arrangements of traditional music from South Africa, Ireland, and the U.S.; and shape-note music from The Sacred Harp.

2012-13: America Singing

America Singing featured music by Valerie Naranjo, Aaron Copland, Samuel Barber, Randall Thompson, Byron Adams, David Conte, and Joseph Gregorio; arrangements of American spirituals and hymns by Norman Luboff, Warren Martin, and Robert Shaw/Alice Parker, as well as shape-note music from The Southern Harmony and The Sacred Harp.

2011-12: Greetings and Farewells

Ensemble Companio’s inaugural season explored sacred and secular music, using texts drawn from five different languages. Greetings and Farewells featured music by Billings, Byrd, di Lasso, Weelkes, Victoria, Tallis, Rheinberger, Chesnokov, Schumann, as well as arrangements of traditional Irish and American shape-note songs. On the strength of a recording of its debut concert, Ensemble Companio won the 2012 American Prize in choral performance.

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A truly wonderful group.  In addition to the technical near-perfection of blend, balance, intonation, diction, and resonant singing, there was an expressiveness so often missing from groups that strive to sing so cleanly.  No safe, boring, pretty sound here.  I was moved by their singing; I felt they believed in what they were doing.

Dr. David Griggs-JanowerProfessor and Director of Choral Music, SUNY Albany
Judge, 2012 American Prize

Stunning…a group with a truly rare sound and vitality.

Dr. Robinson McClellanComposer

You turned our church into a cathedral! Thank you!

Parishoner of Our Lady of the SnowOur Lady of the Snow, Blue Point, NY

I felt uplifted!

Audience Member

“My favorite will always be sneaking into that church with you singing; the sound was incredible, something I will always carry with me…I don’t think I can fully articulate it.”

An Ensemble Companio Fan