As events surrounding COVID-19 (coronavirus) continue to unfold, Ensemble Companio has decided to cancel our upcoming concerts on March 28 in Brookline, MA, and April 11 in Averill Park, NY. We will be reaching out individually to all who have purchased tickets shortly to discuss your options. As of now, our May concert in New York City will proceed as planned—we will continue to follow developments closely, and reassess our plans in the coming weeks.
The ensemble has worked incredibly hard this season preparing our performance of Journeys, and we are so proud of the strong and deep music-making and community-building we have done this season! Limiting our options to share this wonderful program with all of you has been a heart wrenching decision to make, but ultimately the right one. Our greatest responsibility during this challenging time is to ensure the health and safety of our members and our communities.
Like many arts organizations, concert revenue is overwhelmingly our largest source of income, and these cancellations will undoubtedly have a lasting impact on our organization. Despite this, we are committed to the financial support of our artistic leadership, regardless of how many concerts we are able to perform. Now more than ever, we are dependent on community support as we navigate these unknown waters. If you would like to contribute, donations to our Artistic Director fund can be made here. Our sincerest gratitude in advance for your continued support and generosity!
Above all else, please stay safe, take care of yourselves and your loved ones! Although we are actively practicing social distancing, the love and support within this community is stronger than ever. If you have any questions or concerns, please do not hesitate to reach out via email: firstname.lastname@example.org.
All the best,
The Board of Ensemble Companio:
Mikey Steiger, President
Allison Bailey, General Manager
Katie DiMaria, Development Chair
Emily Higgins, Communications Chair
Kara Li, Treasurer
Greg Pratt, Secretary
Kimberly Rice-Smith, Ensemble Advocate
Ensemble Companio’s ability to exist at all is anchored to a pervasive sense of hospitality and trust in one another. We are a widespread community, and during our rehearsal weekends together we are—more often than not—guests in someone else’s home. This is true in both literal and metaphorical senses; choral singing is, on a fundamental level, rooted in the the same sort of profound trust that fortifies us to collectively trek thousands of miles each month to our fellow Companios’ houses across the Northeast, receiving and being received by turns. To be vocal together is to be vulnerable together, to—for a time—allow the roads that we walk as individuals to converge so that we may hold space for each other’s joys and struggles, and in these, seek meaning together in threads of song.
“Look what happens with a love like that…”
The journey of human experience is seldom linear, often folding back upon itself, leaping forward by turns, or suddenly breaking off towards an unforeseen horizon. I think of Benjamin Britten writing “Hymn to St. Cecilia” on his way back across the Atlantic in the midst of World War II, knowing that trials for avoiding military service awaited both he and his partner. I think also of the words of Mirem de Ondiz as set by Carlos Cordero which sit with oft-unseen complexities of immigration, of all that has been gained and of all that has been left behind. I think of the futility and resolve of Paul Lawrence Dunbar’s poem Sympathy, of the ecstatic longing that imbues the American shape-note tradition, of death that transforms the living as much as it does the deceased, and of the resilience of the multitudes who have tread this earth before us. Music is intrinsically of and for all of these journeys—a vessel of connection, a fire in which purpose can be distilled and carried forward. Music is for making sense of chaos. Music is for now.
“…I cry because of such uncertainty…”
“Oh wear your tribulation like a rose….”
“I know why the caged bird sings.”
Our 2019-2020 concert season, Journeys, is a meditation on the creation of meaning—individually and collectively—throughout the uncertainties of human existence. A varied and colorful program, musical highlights range from Benjamin Britten’s celebrated Hymn to St. Cecilia and lesser-known works by Reena Esmail, Salamone Rossi, and Fanny Mendelssohn to settings of familiar American tunes by Moses Hogan and Jocelyn Hagen, among others. This season’s repertoire crosses through a broad spectrum of emotion and experience, seeking understanding through both the unknown and the familiar, ultimately calling upon us to meet all of our “fellow travelers” with the same hospitality of spirit that lends choral singing its transformative potential.
We are so excited to share our journey with you in the coming months.
Warm wishes for the road ahead,
Art never exists in a vacuum; it is intimately tied to the human context in which it is made and observed. Choral music only comes into existence through the voices of living, breathing, phonating human beings – in Ensemble Companio’s case, twenty-five highly skilled singers with twenty-five sets of life experiences who converge once a month somewhere in the Northeastern United States. Then there’s the composer, the poet, the listeners (hopefully you!), the location, the date…
Our collective context is a nation grappling with its conscience.
As we move through each day, we are all faced with a constant barrage of choices: between love and fear, compassion and greed, to welcome or to withhold. In order to comprehend our full potential for good, we must also acknowledge our ability to harm. We must wrestle with the difficult parts of our psyches, the ugly faults we prefer to ignore, our capacities for cruelty and indifference. If we recognize that in each moment lies a choice, then we become aware that our destinies emerge through the aggregate of our choices – destinies extending beyond us as individuals into the courses of families, communities, nations, our species, our planet. Ripples of responsibility, for better or for worse, bond our fates to one another.
What if we all chose to love?
Perhaps it’s not that simple…but what if we believed it could be? How would we change by committing to love – in all of its forms, however small – again and again?
Failed Saints explores what it means to be human in a time of inhumanity, probing our mortal imperfections, our shared divinity, and ultimately our power to co-create the world as we wish it existed. Featuring the world premiere of two selections from Sarah Rimkus’s eponymous Failed Saints (as well as several regional and state premieres), other musical highlights include Alberto Ginastera’s Lamentations of Jeremiah, Saunder Choi’s The New Colossus, and works by Melissa Dunphy, Sydney Guillaume, Mari Ésabel Valverde, and Carol Barnett, among others. This music traverses the darkest and brightest parts of human experience, holding space along the way for rage, grief, transformation, catharsis, and healing.
In keeping with our mission of “building bridges”, I am thrilled to tell you that we’ll be joined in concert by VOICES Boston on Sunday, April 28th. We first met with these fantastic young singers last November and were so inspired by their poise, passion, and musical sophistication. I hope you’ll be able to join us; even if you’re outside the Boston area, it will assuredly be worth the journey.
If Boston is a little too far from home, I look forward to seeing you in New York (March 30th), Rhode Island (April 27th), or Philadelphia (May 11th) for this unique and powerful program.
With great love,
We are very excited to welcome Michael Weinberg to Ensemble Companio as our first Assistant Conductor. As we begin our fifth season and we continue to grow in many ways, we are elated to be able to add this role to our musical staff, alongside Artistic Director Joseph Gregorio and Vocal Coach Julie Gregorio.
Originally from the Washington, DC area, Michael Weinberg is a versatile conductor, singer, and teacher based in Boston, MA. He has appeared with numerous professional organizations, including the Oregon Bach Festival, The Philadelphia Singers, and Washington National Opera, and has performed in many prestigious venues across the United States and Europe. He recently made his solo debut in Alice Tully Hall at Lincoln Center with the Yale Schola Cantorum under the direction of Masaaki Suzuki. Equally passionate about teaching as well as performing, Weinberg is currently Visiting Director of Music of the Commonwealth School (Boston), and has previously served as a teaching assistant and conductor of various collegiate and high school ensembles. His conducting teachers include Marguerite Brooks, Jeffrey Douma, David Hill, Paul Rardin, and Thea Kano. He holds an M.M. in choral conducting from Temple University, a B.M. summa cum laude in vocal performance from The Catholic University of America, and has completed the course requirements for the D.M.A. in choral conducting from Yale University.
But enough from us – let’s let Michael introduce himself!
It is my pleasure to introduce myself to you and say how excited I am to join the Ensemble Companio family as their first Assistant Conductor! Having already experienced one rehearsal weekend, family is the best word I can use to describe Ensemble Companio. Throughout the weekend I heard heartwarming stories of singers gathering in between rehearsal weekends, attending one another’s weddings, or supporting those experiencing difficult times. Though many members knew each other before joining EC, they make everyone feel welcome and a part of the family from the very beginning.
During my interview and audition for the position, I asked the members who were present why they choose to sing in a group such as this, one where you give up an entire weekend per month and travel a couple, or sometimes several hours away for rehearsal. For most, it is the special bond of music that drives their dedication to the ensemble. Being in EC provides a unique opportunity to immerse yourself in music making for a whole weekend, kind of like going to District or All-State chorus in high school once a month, only on a smaller scale and with people who become your close friends. Many community choruses focus on large choral/orchestral works and may contain upwards of 100-200 singers, compared to singing with a chamber ensemble like EC, which focuses on a cappella singing and allows for a more intimate music-making experience.
I’m very grateful to Joe Gregorio for this opportunity, and I’m looking forward to a fantastic year of working with and learning from him and the rest of Ensemble Companio. I also hope to meet many of you at our concerts in April and May!
Dear Friends and Family,
Welcome to a new year with Ensemble Companio! We invite you to join us for our fourth season, and are profoundly grateful for your support and encouragement in seasons past.
My name is Cailin Wilke and I will be serving as Ensemble Companio’s President for the next three seasons. During the week I’m a scientific director at a medical strategy firm, and I’ve been spending my weekends singing Alto with Ensemble Companio since 2012.
We’re recruiting tenors and basses for our 2014-2015 season! If you are (or someone you know is) a talented singer and love(s) to travel, please let us know by sending us a message using the form below. We can’t wait to hear from you! Read more