Announcing our new Assistant Conductor: Michael Weinberg!

Michael Weinberg

Michael WeinbergMichael WeinbergWe are very excited to welcome Michael Weinberg to Ensemble Companio as our first Assistant Conductor. As we begin our fifth season and we continue to grow in many ways, we are elated to be able to add this role to our musical staff, alongside Artistic Director Joseph Gregorio and Vocal Coach Julie Gregorio.

Originally from the Washington, DC area, Michael Weinberg is a versatile conductor, singer, and teacher based in Boston, MA. He has appeared with numerous professional organizations, including the Oregon Bach Festival, The Philadelphia Singers, and Washington National Opera, and has performed in many prestigious venues across the United States and Europe. He recently made his solo debut in Alice Tully Hall at Lincoln Center with the Yale Schola Cantorum under the direction of Masaaki Suzuki. Equally passionate about teaching as well as performing, Weinberg is currently Visiting Director of Music of the Commonwealth School (Boston), and has previously served as a teaching assistant and conductor of various collegiate and high school ensembles. His conducting teachers include Marguerite Brooks, Jeffrey Douma, David Hill, Paul Rardin, and Thea Kano. He holds an M.M. in choral conducting from Temple University, a B.M. summa cum laude in vocal performance from The Catholic University of America, and has completed the course requirements for the D.M.A. in choral conducting from Yale University.

But enough from us – let’s let Michael introduce himself!

Dear Friends,

It is my pleasure to introduce myself to you and say how excited I am to join the Ensemble Companio family as their first Assistant Conductor! Having already experienced one rehearsal weekend, family is the best word I can use to describe Ensemble Companio. Throughout the weekend I heard heartwarming stories of singers gathering in between rehearsal weekends, attending one another’s weddings, or supporting those experiencing difficult times. Though many members knew each other before joining EC, they make everyone feel welcome and a part of the family from the very beginning.

During my interview and audition for the position, I asked the members who were present why they choose to sing in a group such as this, one where you give up an entire weekend per month and travel a couple, or sometimes several hours away for rehearsal. For most, it is the special bond of music that drives their dedication to the ensemble. Being in EC provides a unique opportunity to immerse yourself in music making for a whole weekend, kind of like going to District or All-State chorus in high school once a month, only on a smaller scale and with people who become your close friends. Many community choruses focus on large choral/orchestral works and may contain upwards of 100-200 singers, compared to singing with a chamber ensemble like EC, which focuses on a cappella singing and allows for a more intimate music-making experience.

I’m very grateful to Joe Gregorio for this opportunity, and I’m looking forward to a fantastic year of working with and learning from him and the rest of Ensemble Companio. I also hope to meet many of you at our concerts in April and May!

Best wishes,