Art never exists in a vacuum; it is intimately tied to the human context in which it is made and observed. Choral music only comes into existence through the voices of living, breathing, phonating human beings – in Ensemble Companio’s case, twenty-five highly skilled singers with twenty-five sets of life experiences who converge once a month somewhere in the Northeastern United States. Then there’s the composer, the poet, the listeners (hopefully you!), the location, the date…
Our collective context is a nation grappling with its conscience.
As we move through each day, we are all faced with a constant barrage of choices: between love and fear, compassion and greed, to welcome or to withhold. In order to comprehend our full potential for good, we must also acknowledge our ability to harm. We must wrestle with the difficult parts of our psyches, the ugly faults we prefer to ignore, our capacities for cruelty and indifference. If we recognize that in each moment lies a choice, then we become aware that our destinies emerge through the aggregate of our choices – destinies extending beyond us as individuals into the courses of families, communities, nations, our species, our planet. Ripples of responsibility, for better or for worse, bond our fates to one another.
What if we all chose to love?
Perhaps it’s not that simple…but what if we believed it could be? How would we change by committing to love – in all of its forms, however small – again and again?
Failed Saints explores what it means to be human in a time of inhumanity, probing our mortal imperfections, our shared divinity, and ultimately our power to co-create the world as we wish it existed. Featuring the world premiere of two selections from Sarah Rimkus’s eponymous Failed Saints (as well as several regional and state premieres), other musical highlights include Alberto Ginastera’s Lamentations of Jeremiah, Saunder Choi’s The New Colossus, and works by Melissa Dunphy, Sydney Guillaume, Mari Ésabel Valverde, and Carol Barnett, among others. This music traverses the darkest and brightest parts of human experience, holding space along the way for rage, grief, transformation, catharsis, and healing.
In keeping with our mission of “building bridges”, I am thrilled to tell you that we’ll be joined in concert by VOICES Boston on Sunday, April 28th. We first met with these fantastic young singers last November and were so inspired by their poise, passion, and musical sophistication. I hope you’ll be able to join us; even if you’re outside the Boston area, it will assuredly be worth the journey.
If Boston is a little too far from home, I look forward to seeing you in New York (March 30th), Rhode Island (April 27th), or Philadelphia (May 11th) for this unique and powerful program.
With great love,
On this shortest day of the year, it is with great joy that I write to you for the first time – and about the season’s music, no less!
Reflecting on repertoire over this past summer, themes of reincarnation kept insistently rising to the surface. This year clearly marks a new beginning for both Ensemble Companio and myself, but the excitement of fresh opportunities comes too with the acknowledgment that we are creating music together in volatile times. We may not know what the future holds, but we will (in all likelihood) still share the same earth.
As a Pacific Northwesterner, the natural world has always been a source of awe and inspiration to me. Wandering in the old growth rain forests I used to call home, one cannot help but be amazed at the beautiful intricacy of Life, each being governed by their own individual cycles but somehow also co-creating the great, green harmony of the woods. The ancient and the new feed each other. There is both overwhelming energy and profound stillness. St. Hildegard of Bingen, the medieval mystic whose antiphon O Frondens Virga opens the second half of the program, describes this permeating life-essence as “viriditas”, or living greenness. Sitting near one of the many lakes close to my current home in Minneapolis, I was struck by the sameness of water, light, soil, and grasses – “viriditas” itself – across the thousands of miles now separating me from those dense forests; an apt metaphor for Ensemble Companio’s unusual rehearsal structure perhaps, but also the thread on which to pull for our first season together.
The Greening explores the parallels between human experience and the cycles of the natural world – through darkness into light, through winter into spring, through loss into renewal.
A blurring of opposites – old and new, sacred and secular, universal and highly personal – runs throughout the program; listeners will hear Josquin des Prez’s seamlessly cyclical Salve Regina alongside Edie Hill’s translucent We Bloomed in Spring, Tomás Luis de Victoria’s beloved O Vos Omnes alongside recent works by Jussi Chydenius and Don Macdonald, and Dale Trumbore’s Spiritus Mundi, a luminous setting of a text by contemporary poet Amy Fleury inspired by Renaissance composer Orlando de Lassus, among other gems. One particular under-performed jewel in this year’s repertoire is Abbie Betinis’ God of Owls, which sets an anonymous poet’s prayer that we may be prevented “from being blind to what we’re afraid to see” atop a thorny bramble of low voices and haunting bird calls. The course of the program meanders through awe, sadness, and mystery to hope and healing, meditating on the myriad ways we ourselves are reflected in nature throughout the journey.
Mark your calendars for The Greening:
March 24-25 – New York
April 28-29 – DC
May 12-13 – Connecticut shore
More specific information about locations, venues, etc. will be available in the new year, so be sure to keep an eye out for another note from us! As always, you are more than welcome to join us for one of our rehearsal weekends; email us at email@example.com and we’ll provide you with more details about when we’ll be in your area.
Though today’s solstice marks the first official day of winter (which is certainly evident here in Minnesota!), it also marks the beginning of the sun’s gradual return. May you find peace and joy in each day’s growing light, and I hope to see you in a few short months for The Greening!
All my best,
We built a wonderful new bridge last weekend.
Thanks to a grant from ACDA-PA, Ensemble Companio was fortunate enough to welcome the legendary composer, arranger, conductor, and song-leader Alice Parker for a three-hour workshop with us at Swarthmore College. This was a once-in-a-lifetime opportunity for our singers to receive guidance from a master teacher and luminary in the fields of choral music and folk singing. Alice opened her heart and mind to us, and led the singers with supreme generosity and authority in impromptu singing of folk music and in her own arrangements of American hymn tune Wondrous Love and French folksong Auprès de ma blonde.